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July 6, 1925 February 9, 1981
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Rex Zario Collection
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Zario Collection
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London Features International
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| Bill Haley's meteoric rise took him from hillbilly singer to Rock & Roll's first superstar. LEFT: Haley with his Four Aces of Western Swing in 1948. CENTER: In 1953 Haley, now sporting his trademark "kiss curl" forelock, added a drummer and called his group the Comets. RIGHT: Bill Haley and the Comets Rock & Roll's first international ambassadors. | ||
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Click here to listen to a profile of Bill Haley song clips |
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It was Bill Haley's dream, as a "hillbilly and western" singer, to appear on the Grand Ole Opry. Fate, however, had bigger plans for Bill Haley.
In 1948 Bill Haley and his band were called The Four Aces of Western Swing. As they were often referred to as simply The Four Aces, Haley decided to change the name because, as luck would have it, there was already a group in their hometown of Chester, Pennsylvania, called The Four Aces. And this other group was starting to receive national attention.
Haley and his next group, the Saddlemen, were billed as "The Cowboy Jive Band," reflecting their growing awareness of Rhythm & Blues. Their early hits, Rocket "88" (1951) and Rock The Joint (1952) - both R&B covers - are landmark Rock & Roll recordings.
At the time, however, Haley had little sense of direction, except that his music was becoming less C&W oriented. The Saddlemen became the Comets and, in the summer of 1953, released their first major hit, Crazy, Man, Crazy.
In spite of his hits, Haley couldn't hold onto Rock & Roll. He was never sure of what he had. Consequently he was unable to release two consecutive hits. Something remarkable would be followed by something equally inane.
His successes, however, had caught the ear of Milt Gabler of Decca Records. Gabler had a background in Jazz and R&B, working with the likes of Ella Fitzgerald, Louis Armstrong and, in particular, Louis Jordan and his Tympany Five. Gabler could see where Haley's music was coming from, and more importantly, where it was going.
Under Gabler's direction Bill Haley and the Comets recorded (We're Gonna) Rock Around The Clock and Shake, Rattle and Roll in 1954. When the 1955 film Blackboard Jungle was released with Rock Around The Clock as the title song, the floodgates were opened.
Bill Haley was inducted into the Rock + Roll Hall of Fame in 1987.
Copyright © 19982007 Gary Wilcox Studios Incorporated.
Please credit :
The Online Roots of Rock
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Other Recommended Sites
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Rock + Roll Hall of Fame and Museum
short bio / timeline |
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Bill Haley Tribute
José G. Cruz Ayala recounts Haley's Mexican years |
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EXTRA Read All About It
Alex Frazer-Harrison's news and reviews |
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Put Your Glad Rags On
Alex Frazer-Harrison's tribute to "Rock Around The Clock" |
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Bill Haley Database
Chris Gardner's extensive discography |
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Related Sites
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Click on any link below for more information, or to order online
The Daddy of Rock and Roll


(Bill's son) and
John von Hoelle
Click on any link below for more information, or to order online
and his Comets
& More



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The Best of
Bill Haley and his Comets: 1951-1954 |
Bill Haley:
From Western Swing to Rock |
Bill Haley
and the Comets: For Dancers Only |
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Other Bill Haley Recordings Available Online
Celebration: Bill Haley and the Comets (Madacy Records / 1CD / 10 tracks)
Bill Haley Greatest Hits (Prime Cuts / 1CD / 10 tracks)
Golden Classics: Lucky 13 (Cleopatra / 1 CD / 13 tracks)
The Bill Haley Tapes (Jerden Records / 1 CD / interview with Red Robinson)
Click on any link below for more information, or to order online
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Blackboard Jungle
(1955 film) |
Rock Around The Clock
(1956 film) |
Don't Knock
The Rock / Rock Around The Clock (1956 films) |
Encore Series:
Bill Haley and his Comets |
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Features footage of the band performing their classics
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click on any image to view enlargement
The Online Roots of Rock

